Marc
搜索"Marc" ，找到 626部影视作品
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Gianni Costantino
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Roberta e Leòn sono due quarantenni precari che inscenano un finto matrimonio per intascare i soldi degli invitati. I due protagonisti si incontrano casualmente su un autobus a Malta quando a lei si rompono le acque e viene trasportata in ambulanza all'ospedale dove partorisce un bambino. Leòn, giornalista di guerra senza incarico, accetta la proposta di Roberta e parte insieme a lei per la Puglia dove organizzano un finto matrimonio allo scopo di dividere i soldi che gli invitati metteranno nelle buste per gli sposi, visto che la famiglia di Roberta è molto benestante e molto conosciuta in Puglia. Il fratello di Roberta cerca di far saltare il matrimonio per ragioni d'interesse. La sera prima del finto matrimonio i due protagonisti vivono una notte d'amore e la mattina seguente lui si dichiara, ma lei lo respinge e insiste per il finto matrimonio celebrato da un falso prete, amico di Leòn. Il fratello di Roberta chiude il finto prete in un capanno e quindi il matrimonio viene celebrato dal parroco del paese ed è valido legalmente. Rientrati a Malta, però, Leon va via lasciando a Roberta tutte le buste regalate il giorno del matrimonio dagli invitati. Un anno dopo Leòn presenta il suo primo romanzo di successo dal titolo Sposa in rosso. Roberta si avvicina all'autore per farsi dedicare una copia del romanzo e lui nella dedica le scrive A MIA MOGLIE. I due vanno a passeggiare insieme sul mare e Roberta gli dice di aver amato in particolare il finale del romanzo e gli rilegge l'ultima frase "avevamo tutto il tempo per rimediare" e si avviano insieme verso il chiosco Vite Parallele.
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Natalie Smith,Priscilla Pugliese
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A dangerous game, full of traps. A dispute of power, money and desire. On one side of the board, delegate Giovanna Torres, on the other, the wife of a businessman, Maya Manoela. In this game, only one will fall. Who will give Checkmate?
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Bonni Cohen,Jon Shenk
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Highly decorated Navy SEAL Marcus Capone returns from Afghanistan and attempts to readjust to civilian life. But years of unprecedented warfare have left Marcus with treatment-defiant PTSD, traumatic brain injuries, and severe depression beyond what current government treatment options can effectively address. Fearing for Marcus' life, his wife, Amber, finds hope in a groundbreaking therapy combining two powerful psychedelics unapproved for use in the U.S., but with seemingly limitless applications. Inspired by Marcus' remarkable recovery but still confronted with the alarming rate of veteran suicide in their community, Marcus and Amber embark on a new mission: providing access to this lifeline. Alongside intimate interviews, captivating animation, and first-of-its-kind research at Stanford's Brain Stimulation Lab, In Waves and War, from Jon Shenk and Bonni Cohen (Athlete A, An Inconvenient Sequel: Truth to Power), is the emotional, inspiring odyssey of three American heroes as they overcome the after effects of war and rediscover their humanity.
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Vivieno Caldinelli
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A plumber and his germaphobic son are forced to get their hands dirty to save the residents of an apartment building, when a genetically engineered blood-thirsty creature escapes into the plumbing system.
导演：
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Marcus A. Clarke
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在关键的三年里，拳王阿里与马尔科姆·X 结下了兄弟情谊，这不仅改变了两人，也改变了世界。《结拜兄弟：拳王阿里与马尔科姆·X》讲述了 20 世纪两位标志性人物从结缘到最终决裂的往事。很少有人能理解两人之间的这份情谊。在这部由制片人肯尼亚·巴里斯打造的全新长篇纪录片中，导演马库斯·A·克拉克提供了一个新鲜视角，通过知情人士的采访和未公开镜头来描绘这种复杂的友谊，带领观众深入了解这两位并驾齐驱的传奇人物：他们一位是魅力四射、为人直率的奥运冠军，举国都为之倾倒；一位从前科犯变为知识分子革命家，并勇于谴责压迫。通过采访与他们最亲近的人（马尔科姆·X 的女儿伊利亚莎·沙巴兹、阿里的兄弟拉曼和女儿玛丽尤姆和哈娜）以及康乃尔·韦斯特和阿尔·夏普顿等文化名人，这部电影讲述了他们的相遇、结缘以及最终因“伊斯兰民族”领导层的不和而闹翻的过程。该电影改编自兰迪·罗伯茨和约翰尼·史密斯联合创作的书籍《Blood Brothers》，由马库斯·A·克拉克（《未解之谜》《热血嘻哈风》）执导，肯尼亚·巴里斯和贾森·佩雷斯担任制片人，监制团队包括埃林·桑普森、乔纳森·秦、西蒙·秦、西蒙·乔治和马库斯·A·克拉克。
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雅克·里维特
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The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.
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让-马里·斯特劳布
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For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And not just any dialogue, but one that tears open a painful, mystical abyss between love and the one left behind. The film is one single exhilaration and one single rush, a spell and dispersion into nature. It rises from a dark screen and chant to disappear in the woods with the whisper of the wind. It has little to do with what is generally called «cinema». It has one foot in the world beyond.
Nature has ten million times the imagination of the most imaginative of artists. (Jean-Marie Straub)
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Joaquín Luis Romero Marchent
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A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young daughter and an assortment of seven sadistic, murderous prisoners survive, and they are left without horses or a wagon. The sergeant must find a way to get his prisoners to their destination while protecting his daughter, watching out for the still pursuing bandits and trying to determine which one of the prisoners was the man who raped and murdered his wife.
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Marc Schölermann
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英俊帅气、年轻有为的泰德•格雷（Milo Ventimiglia 米洛•文堤米利亚 饰）事业爱情双得意，他以优异的成绩从哈佛医学院毕业，随后被推荐进入全国最有名的病理学研究小组；另一方面，泰德和女友格雯（Alyssa Milano 阿莱萨•米兰诺 饰）感情顺利，令人欣羡。
凭借出众的才干与丰富的学识，泰德很快便在这人才辈出的研究小组中崭露头角，受到同侪的赏识与器重。但他很快便发现，这个小组的工作人员似乎隐藏着不为人知的秘密。原来，这些衣冠楚楚研究人员竟然暗中进行一连串的杀人事件，他们为了创造出完美的杀人纪录而疯狂竞赛。泰德同时发现，自己也在其中越陷越深。
是逃脱，还是同流合污，他面临着痛苦而危险的选择……©豆瓣
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Huan Vu
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Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'